After her husband's death, Madame Clicquot flouts convention by assuming the reins of their wine business, defying her critics and ultimately revolutionizing the champagne industry, establishing her as one of the world's first great businesswomen.

David Tennant (Doctor Who, Broadchurch) and Cush Jumbo (The Good Wife, Criminal Record) lead a stellar cast in an ‘enthralling’ (★★★★★ Daily Telegraph) new production of Shakespeare’s MACBETH, filmed live at the Donmar Warehouse in London, especially for the big screen. Unsettling intimacy and brutal action combine at breakneck speed as Max Webster (Life of Pi, Henry V) directs this tragic tale of love, murder, and nature’s power of renewal

After being expelled from Beecher Prep for his treatment of a classmate with a facial deformity, Julian has struggled to fit in at his new school. To transform his life, Julian's grandmother finally reveals her own story of courage of her youth in Nazi-occupied France, where a classmate shelters her from mortal danger.

Renowned Swedish TV-duo Filip and Fredrik embark on a trip to France, aiming to rekindle the zest for life of Filip's father.

Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.

The Australian Chamber Orchestra has always forged its own path. With Artistic Director and violinist Richard Tognetti at the helm, the ACO has been producing films for over a decade, from their award-winning collaborations with BAFTA-nominated director Jennifer Peedom (‘Mountain’, ‘River’) to their acclaimed series of cinematic music films, ‘ACO StudioCasts’. Directed by Matisse Ruby, ‘The Four Seasons’ film release is the latest from this ground-breaking, world-renowned ensemble. Arguably the most popular and recognisable piece of classical music ever written, this performance directed by Richard Tognetti, highlights the profound symbiosis between Vivaldi’s Venice and the Middle East

Following a string of awe-inspiring Met performances, soprano Lise Davidsen stars as Leonore, who risks everything to save her husband from the clutches of tyranny.

Born in Paris in 1924 as the son of Armenian refugees, Charles Aznavour’s formative years are spent in poverty, but distinguished by his parents’ passion for music and theatre. Ridiculed for his short stature and raspy tenor voice – traits he would in time fully embrace – Aznavour’s early attempts at a showbiz career during the Occupation falter.

Marseille, 1815. The dreams of principled young sailor Edmond Dantès (Niney) are about to come true; promoted to ship’s captain, he can finally marry the love of his life, Mercédès (Anaïs Demoustier). But his success inspires jealousy… betrayed by his rivals, Dantès is denounced as a member of a pro-Napoleon conspiracy and incarcerated without trial in an isolated prison.

Thibaut (the exceptional Benjamin Lavernhe, Delicious, C’est la vie!) is a beloved and internationally celebrated orchestra conductor who travels the globe. When a health crisis and subsequent DNA test inadvertently reveals he was adopted as an infant, Thibaut discovers the existence of a younger brother, Jimmy (rising star Pierre Lottin), who lives in more modest circumstances; he works in a school cafeteria, cares for his mother and plays the trombone in a community brass band. The pair seem to have little else in common other than a love of performance, but sensing his sibling’s exceptional talent, Thibaut decides to remedy the injustice of fate and try to help nurture his brother’s untapped gifts.

December 2013, in the shadow of the Great Pyramids of Egypt, Australian journalist Peter Greste is confronted with the brutal realities of reporting from one of the most dangerous cities on earth. Accused of terrorism, Greste becomes a pawn in the middle of a deadly game full of corrupt officials and ancient rivalries – with only his wits keeping him alive.

Love makes one crazy. Just ask Clotaire (Civil) and Jackie (Exarchopoulos), who meet in their teens in their Northern France working-class neighbourhood in the 1980s. Despite their differences – she is a diligent student from the middle class, he a charming troublemaker with a complex family life – an intense and unmistakable connection is sparked. But tragedy soon pulls them apart. A decade later, Clotaire tries desperately to win back his lost love. Has his chance passed?

Franck Dubosc’s black comedy, HOW TO MAKE A KILLING, is a journey full of twists where nothing is as it seems. As Michel and Cathy navigate ethical dilemmas and increasingly absurd situations, the feckless small-town gendarmes inch closer. But what if they’re closer to the sharp detectives in Cathy’s crime novels than they first appear?

Every 15 minutes, someone somewhere in the world plays Ravel's "Bolero" – it's a legacy its artist could never have imagined. A tribute to the timelessness of the composer’s haunting masterpiece, Bolero, writer-director Anne Fontaine takes us on a deconstructed, elliptical journey through the idiosyncratic life of Maurice Ravel, via his struggle to complete that 17-minute piece of music.

Retired French general François (André Dussollier, and his wife Annie (Sabine Azéma) have been married for five decades. Enjoying all the perks of retirement, François heads to the attic one day to declutter old boxes and dust off memories, only to stumble upon his worst nightmare: a stack of love letters revealing his wife’s affair from forty years ago. It's up to François to make the mature choice: does he turn the other cheek and let bygones be bygones? Or does he sharpen his wits and call in favours to track down the man who humiliated him? Hell-bent on the latter, François scours the Côte-d'Azur, determined to exact revenge

Sumptuous, rapturous, and full of drama, Sarah Bernhardt’s life is here to be experienced in all its theatrical glory – just as La Divine intended.

Le Nozze di Figaro Mozart’s timeless comedy returns to the Met this season. Conductor Joana Mallwitz, in her Met debut, takes the podium to conduct a stellar ensemble cast including American bass-baritone Michael Sumuel as the clever valet Figaro, Ukrainian soprano Olga Kulchynska as the wily maid Susanna, Canadian baritone Joshua Hopkins as the skirt-chasing Count, Italian soprano Federica Lombardi as his anguished wife, and French mezzo-soprano Marianne Crebassa as the adolescent page Cherubino.

Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe’s leading opera directors, gives the biblical story—already filtered through the beautiful and strange imagination of Oscar Wilde’s play—a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light.

The Metropolitan Opera’s 2024–25 Live in HD season comes to a close with Rossini’s effervescent comedy. Russian mezzo-soprano Aigul Akhmetshina headlines a winning ensemble as the feisty heroine, Rosina, alongside American tenor Jack Swanson, in his Met debut, as her secret beloved, Count Almaviva. Moldovan baritone Andrey Zhilikhovsky stars as Figaro, the ingenious barber of Seville, with Hungarian bass-baritone Peter Kálmán as Dr. Bartolo and Russian bass Alexander Vinogradov as Don Basilio rounding out the principal cast. Giacomo Sagripanti conducts Bartlett Sher’s madcap production